What does it take to be a standout makeup artist in Nigeria’s film industry?
According to House of Rheevo, it’s a blend of grit, artistry, and resilience. Recently nominated for Best Makeup at the AMVCAs for her work on Farmer’s Bride, she opens up about the behind-the-scenes chaos of film sets, the quiet pride of seeing her work on screen, and why film will always have her heart even after 10 years in the game.
In this exclusive interview with Beautypreneur Hub, House of Rheevo shares the triumphs, challenges, and the deep love she has for her work.
The Art of Invisible Brilliance
We were curious about what made Farmer’s Bride different. So we asked: What set this project apart for you?
“I’ll say it’s the way the makeup was there but it wasn’t just there. It was flawless and we kept the characters looking like they should in every scene,” she says.
Beyond aesthetics, the transformation was rooted in cultural precision. “We had to even add tribal marks for some actors and turn their hair grey,” she explains. “The makeup doesn’t look like much at first glance, but trust me… it was.”
And it wasn’t just the makeup. “The hairstyles, very unique and super catchy. I had to do a lot of research and push my team to be super creative with each scene.”
Is Film Makeup Lucrative?
When asked if film makeup is profitable, she says “It’s lucrative, it really is. It might take some time for you to find your feet, but when you do, there are so many projects that will pay well.”
But she doesn’t shy away from the struggles. “My greatest challenge is the perception of makeup artists. A lot of times we get very disrespected on set… there’s always the ‘is it not just makeup?’ mentality,” she says.
Working conditions are another story. “We’re expected to deliver our best even if we are sleep-deprived and hungry. I hope to see an industry that considers the welfare of crew members better. It affects the overall performance of everyone.”
On Products, the Chaos, and the Craft
On set, your makeup bag has to work as hard as you do. Rheevo shares that she mostly sources products locally: “I try to maintain a good mix of Nigerian brands and international brands. I’m very particular about getting products that don’t oxidize fast, can serve multiple purposes, and can’t be easily destroyed.”
She adds, “Set makeup is not like bridal makeup where you have a cozy makeup section and AC. Sometimes you’re only able to do the actors’ makeup in a corner of the cast bus or in one rowdy street. Also I think those who really have to import makeup are SFX artists. That’s because most stores do not stock a diverse range of Special effects products. I don’t do SFX so often, so yeah, I don’t have to buy from abroad as much.”
Her verdict? “It’s important for me to carry items that can’t be easily damaged or stolen.”
Advice to Aspiring Film MUAs
As a makeup artist who has achieved notable recognition, we asked for her advice to aspiring makeup artists who want to specialize in film makeup.
“If you want to specialize in film, start today. And start with a kind person,” she says.
Today is the best time to start your film journey because honestly, why not?
“I’ll advise you to immerse yourself in the industry.” She adds
She urges aspiring artists to be proactive: “Follow actors and directors on social media. Follow film MUAs and producers. Attend industry events and be ready to work.”
And prepare for chaos: “Film is really a madman’s job. If you see the chaos that happens behind some of your favorite films, you won’t believe the magic on your screen came from that!”
But the magic is worth it. “It’s not as glamorous as Instagram depicts. But when your film comes out? You’ll forget all the stress and just bask in the joy of watching what you created!”
Recognition, Reflection, and the Road Ahead for House of Rheevo
We asked if the AMVCA nomination has brought her more opportunities or changed how the industry sees her.
She responded, “It’s really too early to tell. I’ll check back on that in a year.”
So far, some conversations have started: “Some film executives have hinted at pitching my services to their bosses. But nothing solid has materialized yet. I’m not worried. It’s a game of patience and I am very patient.”
After a decade in the industry, her focus is clear. “I would love to work on at least one major film project per year. I do a lot of bridals and other things; coaching and product sales but film will always, always have my heart!”
And as for the nomination? “It’s a huge blessing. I feel blessed and honored. I really don’t know when I’ll get off this high,” she laughs.
Our Final thoughts
House of Rheevo’s story is one of patience and purpose. She didn’t chase the spotlight, it found her, through years of showing up, standing firm, and doing the work even when it wasn’t glamorous.
Her journey is proof that film makeup isn’t just about the beauty we see, it involves storytelling, stamina, and soul.